Play the Songs
- “Anything Goes” Overture YPE
- I Get A Kick Out Of You (reh.)
- I Get A Kick Out Of You (perf.)
- There's No Cure Like Travel (reh.)
- There's No Cure Like Travel (perf.)
- Bon Voyage (reh.)
- Bon Voyage (perf.)
- You're The Top (reh.)
- You're The Top (perf.)
- There'll Always Be A Lady Fair (reh.)
- There'll Always Be A Lady Fair (perf.)
- Friendship (reh.)
- Friendship (perf.)
- It's De-Lovely (reh.)
- It's De-Lovely (perf.)
- Anything Goes (reh.)
- Anything Goes (perf.)
- Public Enemy Number One (reh.)
- Public Enemy Number One (perf.)
- Blow, Gabriel, Blow (reh.)
- Blow, Gabriel, Blow (perf.)
- Be Like The Bluebird (reh.)
- Be Like The Bluebird (perf.)
- All Through The Night (reh.)
- All Through The Night (perf.)
- Finale (reh.)
- Finale (perf.)
This Young Performers’ Edition is a one-hour adaptation of ANYTHING GOES, specially tailored for elementary and middle school-aged actors. The materials have been prepared to help your school or organization mount the best possible production and to give your young cast and crew an exciting and rewarding experience.
ANYTHING GOES is a wacky shipboard farce featuring romance, intrigue, colorful characters and a glorious score from Cole Porter. Highlights include: “You’re The Top,” “It’s De-Lovely,” “Friendship,” “I Get A Kick Out Of You,” “Blow, Gabriel, Blow,” and the title number.
Music samples courtesy of Warner/Chappell Music Inc.
Click on SHOW FULL DETAILS directly below
for a video excerpt from the Staging & Choreography video download.
Full performance of Anything Goes from the Staging and Choreography video download.
Each of the selected numbers can also be viewed
with audio comments and suggestions for staging and choreography.
- Rehearsal Materials
- Cast List
- Brief History
At a club in Manhattan, ELISHA J. WHITNEY is waiting impatiently for his assistant to arrive with all his travel materials for Whitney to sail to England the next morning. BILLY CROCKER finally shows up—half an hour late—but he’s forgotten Whitney’s passport, which he promises to deliver first thing in the morning. Conspiratorially, as two SAILORS dine in the background with BETTY and ESTELLE, Whitney orders Billy to go to Wall Street in the morning and sell all the firm’s shares of Amalgamated Prestoleum. Billy is shocked, but Whitney assures him he’s had a hot tip that shares of Amalgamated are going downhill fast. Just as Billy is checking his messages with CASEY, the host, RENO SWEENEY enters the club looking for Billy—in the hubbub of his errand running for Whitney, Billy completely forgot about his date with Reno. Despite his faux pas, she invites him to sail to London with her in the morning (“I Get A Kick Out Of You”). Billy confesses to Reno that he’s fallen in love with a fantastic girl, and he needs to stay in New York to win her over. Reno is furious—she thought she was the one Billy wanted to marry. She storms off as the SAILOR 1 and SAILOR 2 confess to Betty and Estelle that they’re leaving in the morning (“There’s No Cure Like Travel”).
On the deck of the S.S. American, the CAPTAIN, PURSER and DESK STEWARDESS are dealing with a crisis: Charlie Chaplin has cancelled his berth and chosen to sail with the Mauretania instead. They frantically scour the guest list for another celebrity as the REPORTERS and PHOTOGRAPHERS complain. The MINISTER and converts LUKE and JOHN arrive on the ship, closely followed by Reno and her ANGELS. The Reporters and Photographers are excited by the arrival of debutante HOPE HARCOURT, English gentleman LORD EVELYN OAKLEIGH and Hope’s mother, MRS. HARCOURT, who announces that Hope and Evelyn are to be married on the ship. As they board the ship, they encounter Whitney and Billy, who is shocked to learn of Hope’s engagement. Whitney leads the party off to celebrate, reminding Billy to go to Wall Street and sell the Amalgamated shares. Before he can exit, two FBI AGENTS stop him, asking if he’s seen a gangster dressed up as a minister. Billy points them toward the Minister while MOONFACE MARTIN, who is wearing a minister’s robe, and ERMA sneak aboard. They are on the lookout for Snake Eyes Johnson, a member of their gang and Public Enemy Number One. Immediately, they encounter the real Minister, who the FBI Agents mistake for Moonface because Billy points him out. As a reward, Moonface gives Snake Eyes’ passport to Billy so he can stay on the ship as Murray Hill Flowers. The Purser gives the final call: “All ashore that’s going ashore!” (“Bon Voyage”).
That evening, Reno spots Billy on deck. He confesses to her that he’s in love with Hope Harcourt, but she’s out of his league. Reno tries to bolster his confidence (“You’re The Top”). Billy encounters Hope, who informs him that no matter what feelings are between them, she must marry Evelyn. In Moonface’s cabin, the Captain informs them that Murray Hill Flowers is actually Snake Eyes Johnson, still thinking that Moonface is a real minister. Moonface confesses to Billy that he is actually Public Enemy Number Thirteen—not a minister at all. Billy determines that he needs a disguise, and Erma sets out to get him a sailor suit. Later, on deck, a group of sailors and FEMALE PASSENGERS sing together (“There’ll Always Be a Lady Fair”). Billy again tries to speak with Hope, but he is disguised as a sailor and gets pulled into a manhunt—for himself, since they think he is Snake Eyes Johnson. Reno recognizes Moonface Martin, and they team up in an effort to break Evelyn and Hope’s engagement (“Friendship”). While Mrs. Harcourt is frantically looking for her dog, Cheeky, Billy and Moonface enter in disguise and tell her that Lord Evelyn Oakleigh is an escapee from Bedlam who marries women and then murders them. Mrs. Harcourt faints as Evelyn arrives on the scene, and Hope exposes Billy’s disguise. Reno encourages Hope to accept her true feelings as Billy re-enters disguised as an old lady (“It’s De-Lovely”). Just as Billy asks Hope to choose between Evelyn and him, the Captain and Deck Stewardess apprehend him, thinking he is Snake Eyes Johnson (“Anything Goes”). They are thrilled to have solved their celebrity problem, and Billy is named the honorary captain of the S.S. American (“Public Enemy Number One”).
Reno informs Billy that Hope wants to marry him just as the Angels and she head onstage for their next number (“Blow, Gabriel, Blow”). After the performance, Evelyn confesses his love to Reno, and Billy publicly confesses his love for Hope—at the same time outing himself as a phony gangster. Billy and Moonface are thrown into the brig (“Be Like The Bluebird”). Erma delivers a note from Hope to Billy—she loves him, but thinks there is no hope for them (“All Through The Night”). Luke and John are locked up in the brig as well, and Reno confesses to Billy that she and Evelyn are in love with each other. Billy and Moonface win Luke’s and John’s clothes in a poker game, and they rush to stop the wedding. Billy claims that Evelyn owes a debt of honor to Plum Blossom, who is really Reno in disguise. Billy gets to marry Hope, Reno gets to marry Evelyn, Whitney steps in to marry Mrs. Harcourt and at the last moment, an urgent cable comes through from New York informing Whitney that Amalgamated shares—the same ones Billy never sold off—have gone through the roof! The Captain marries all the couples, and all is well (“Finale”).
Music and Lyrics by Cole Porter
Original Book by P.G. Wodehouse & Guy Bolton
and Howard Lindsay & Russel Crouse
New Book by Timothy Crouse & John Weidman
The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:
is presented by arrangement with
Additionally, you agree to include the above language hyperlinked to http://www.tamswitmark.com/ on all websites on which you promote the play.
ANYTHING GOES Young Performers’ Edition is presented with the fully orchestrated Performance Tracks provided with your rehearsal materials.
1 Director’s Production Guide
1 Piano-Vocal Score
30 Young Performers’ Books
1 Digital resource download, consisting of:
· Sing-Along Tracks
· Performance Tracks
· Choreography Videos
Production Kit Description
Young Performers’ Books containing the complete script and all vocal material.
Piano-Vocal Score as an additional rehearsal tool.
Production Guide containing a wealth of background material, directorial pointers, details on incorporating the show’s production into the school curriculum and suggestions for involving your community at large.
- Sing-Along Tracks to help your cast learn the songs.
- Performance Tracks with orchestral accompaniment for your production.
- Choreography Videos containing simple, effective dance steps and staging ideas for selected songs.
ELISHA J. WHITNEY is a rich businessman with expensive taste. He is demanding, straightforward, and knows what he wants. Cast a strong young character actor who can convey status.
CASEY is the owner of the bar in Manhattan who attends to Whitney while he waits for Billy. This is a fun cameo role for a young performer with little experience.
BILLY CROCKER is the show’s leading young man with stars in his eyes and a sweet, earnest disposition. He is Whitney’s assistant and gets in a ton of trouble in pursuit of love. Cast a fantastic singer and actor who can win the hearts of audiences with just one smile.
RENO SWEENEY is the show’s leading lady. She is foremost an entertainer and can command attention just by walking through the door. Reno enjoys the spotlight and easily makes friends with everyone she meets. Cast a performer who is a great singer, actor, and dancer and has a ton of charisma.
BETTY and ESTELLE are young women saying goodbye to their sailors heading off to sea. Cast two young ladies with strong voices who can express their disgust without coming off as mean.
The SAILORS (including SAILOR 1 and SAILOR 2) are possibly the most recognizable characters from the entire show. They provide support and life for the world of the show. Cast a group of exuberant young performers who can sing and dance well.
The CAPTAIN is a man of authority, but he is a bit more concerned with making sure the ship has a celebrity aboard than the voyage itself. A young actor with a commanding presence will do the trick for this non-singing role.
The PURSER and the DECK STEWARDESS are essentially the Captain’s right and left hands. Cast a pair of young performers who can convey a sense of urgency and authority as they deal with each new situation onboard. These are great non-singing roles for students who can comfortably sustain characters for the length of the show.
The MINISTER, or Henry T. Dobson, is a pious, religious man traveling with his most recent converts. This performer should display a sense of calm and authority without effort.
LUKE and JOHN are recent converts to Christianity with a weakness for gambling. They first appear to be devout followers, but once the Minister is gone, Luke and John finally let loose and revert back to their old ways. Cast a pair of strong actors who can smoothly transition from nice to naughty.
Reno’s four ANGELS are a pack of ladies with the vocal and dance stylings to back up Reno. Entertainers by profession, the Angels are filled to the brim with talent, sass, and charisma. Cast your strongest singers and dancers in these great featured roles.
MRS. EVANGELINE HARCOURT is Hope’s overbearing mother who truly wants the best for her daughter and herself, and she will go to whatever lengths necessary to make sure she doesn’t end up poor. This comedic, non-singing role is perfect for a performer with the ability to develop a broad character both in voice and physicality.
HOPE HARCOURT is the perfect mixture of poise and properness befitting her upper class status. While she does care about her place in society, love is what motivates her in the long run. Your performer should be a great singer and actor as well as the perfect companion to Billy.
LORD EVELYN OAKLEIGH is a British gentleman betrothed to Hope Harcourt. He is personable and enjoys meeting other people and learning about their lives. He may come off a bit stiff, but underneath this proper exterior is a generous man looking for excitement. This non-singing role is best suited for a great comedic actor.
MOONFACE MARTIN is a gangster who is on the run (as usual). Moonface may not be the smartest person in the world, but when he commits to an idea, he sticks to it. Cast one of your strongest actors who’s able to portray a fun-loving sense of trickery, is a solid singer, and who isn’t afraid to make big – and sometimes silly – choices.
ERMA is Moonface Martin’s partner in crime. Erma is certainly not intimidated by Moonface’s gangster reputation. This non-singing role is perfect for a young actress with a big personality who can hold her own opposite Moonface.
The ENSEMBLE is stocked full of vivid characters, including featured PASSENGERS, REPORTERS, PHOTOGRAPHERS, FBI AGENT 1 and FBI AGENT 2, an ANNOUNCER, an OLD LADY, and a COOK that help create the greater world of the ship and the play.
ANYTHING GOES (Beaumont 1987) played for 784 performances on Broadway at the Vivian Beaumont Theatre starring Patti LuPone, Howard McGillin and Bill McCutcheon.
In 2011 the show was revived at the Stephen Sondheim Theatre on Broadway, where it played for 521 performances starring Sutton Foster and Joel Grey.
3 Tony Awards for Revival, Leading Actress and Choreography
3 Drama Desk Awards for Revival, Actress and Choreography
The Theatre World Award (Linda Hart)
3 Tony Awards for Revival, Leading Actress and Choreography
5 Drama Desk Awards for Revival, Leading Actress, Choreography, Sound Design and Set Design
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